Recently, during a promotional visit to a bookstore in
Melbourne, I received a wonderful surprise. A lady
with whom I had connected
only via email in the past made a special effort to drop by and meet me in
person. This lady works for an organisation that helps those with visual
impairment or ‘print disability'--her role includes acquiring books for possible recording for
the audio lending library this organisation runs. A few years ago,
an elderly friend badly wanted to read my first two novels but the print was too
small for her. She told this organisation about my books and asked if they
could record them. After some time, they contacted me and the upshot was that,
over the next little while, my first three novels were produced as audio books.
I was sent a copy of each in their special DAISY mp3 format—and I
thought that was the end of it all.
However, when this lady met me recently, she told me they had now completed
my fourth and fifth novels and were about to start on my memoir Soul Friend. As well, she also wanted to
purchase my latest novel The Inheritance,
with a view to recording it. A few days later, she emailed to say she was
forwarding the recordings of my fourth and fifth novels so I would have all my
books they had produced so far.
But here is my dilemma. While I love having these copies, I
have not as yet been able to bring myself to listen to any of them! I know they are professionally produced—the person who narrated them is a well known and very
gifted actor from stage and screen here in Australia and has a beautiful
speaking voice. But I am certain that, because these were my first novels, I
would want to change so much of what I would hear, which would definitely
dampen my enjoyment of the whole experience. I imagine it is a little like artists
might feel when viewing their early efforts at painting. Surely their fingers
must itch to alter or touch up this or that!
Perhaps the best way to approach it all is for me to listen
to those recordings with an accepting heart and mind, acknowledge the stylistic
changes I would now make, and simply be thankful for how far I have come since
those earlier writing efforts. We all learn as we go and we all have to begin
somewhere. And, stylistic issues aside, the stories they contain still touch
readers, I have discovered, who are often not as critical as those of us who
write! Then again ... is it better not to listen and instead to keep moving
forward, writing the best I can at this point?
What would you decide in this instance? Would you listen or
not?
All questions aside, I am honoured and grateful that those
recordings have been made—especially my third novel Laura, which is the story of a girl who becomes blind as a child. I
love the idea that those for whom most books are inaccessible can choose to
hear my books, if they so desire. God has ways of blessing us far beyond what
we could ever imagine, don’t you agree?
Jo-Anne Berthelsen lives
in Sydney but grew up in Brisbane. She holds degrees in Arts and
Theology and has worked as a high school teacher, editor and secretary, as well
as in local church ministry. Jo-Anne is passionate about touching hearts and
lives through both the written and spoken word. She is the author of six
published novels and one non-fiction work, Soul Friend: the story of a shared
spiritual journey. Jo-Anne is married to a retired minister and has three
grown-up children and three grandchildren. For more information, please visit www.jo-anneberthelsen.com or www.soulfriend.com.au.


