Showing posts with label Alice Orr. Show all posts
Showing posts with label Alice Orr. Show all posts

Monday, September 1, 2014

Those Who Can . . .


















Good morning, Alice Valdal here.

  I just purchased another book on writing and that prompted me to examine my library.  I am the proud owner of twelve "how to" books on writing, and that doesn't count the books on grammar and style, or the sheaves of notes from workshops.
   Some books, such as Alice Orr's No More Rejections, and Alicia Rasley's The Character Interviews, and Laurie Schnebly's Believable Characters: Creating with Enneagrams I purchased at the end of a workshop.  All of these women are brilliant.  Listening to them discuss the art and craft of writing left me inspired and itching to get at my hands on a keyboard, my next -- and best selling novel -- would be born in just a few months, now that I'd learned "the secret."
   Other books I bought on recommendations from other writers.  The 38 Most Common Fiction Writing Mistakes (And How To Avoid Them), by Jack Bickham was promoted by a fellow writer who claimed it had changed her writing and turned her from a "wannabe" into a contracted author.
    Writing the Breakout Novel by Donald Maass was another recommended purchase.  And what writer worth her salt wouldn't want to learn from Donald Maass, even his recorded lectures inspire.  He makes it sound so straightforward and logical.  Get the right characters into the right kind of trouble, add a ticking clock and the possibility of a sequel and the writer needs an accountant to handle all the money she's bound to make.
     How to Write Best Selling Fiction by Dean Koontz, The Writer's Journey by Christopher Vogler, Goal, Motivation & Conflict by Debra Dixon and Creating Characters by Dwight V. Swain, I bought from a fellow writer who had given up finding a market for her books.  Some of the information in these books is dated, particularly when it comes to marketing, but the basic lessons on character, plot, structure and emotional impact are timeless.
    All the books mentioned above fall into what I would call craft.  I also have three volumes on what I call the art of being a writer, Bird by Bird, by Anne Lamott,  The Artist's Way by Julia Cameron, and my latest purchase, Seven Steps on the Writer's Path, by Nancy Pickard and Lynn Lott.
    As I'm more of a pantser than a plotter, I turn to these latter books with a sense of relief.  Much as I love and use the craft books, much as they have to teach me, I sometimes feel they put me in a box that's too small and then push down on the lid.  But there is danger in the other books as well.  Julia Cameron wants me to go on "artist's dates" with myself.  I embrace the concept and can put off actually putting pen to paper for weeks, while I fill my soul with trips to the art gallery, the gardens, the beach, the lavender farm . . .  You get the picture.
    Ann Lamott encourages me to read and read and read.  Great advice and I'm happy to curl up on the couch or stretch out at the beach with a bag of books for company.  But at some point anyone who wants to be an author need's to put down her favourite reads, and actually write something of her own.
    Owning this wealth of advice and encouragement reminds me of the old saw "if you're so smart, why ain't you rich?"  Or, to put it in writer's parlance, "if you know so much, why aren't you a best selling author?"
     The answer is, of course, that there is no secret, no magical formula, no step-by-step process that will propel the hopeful author to stardom.  Writing fiction is both art and craft, each author brings his or her own life experiences, belief system, skill and dedication to the work.  Each writer is unique, and we create our own unique works.  Sometimes those stories resonate with millions of readers, other times they resonate only with the author.  Each of us must decide our own writing goals, our own process and our own vision.  
     I'm delighted with all my "how-to" books and I'm grateful to the authors who have generously shared their wisdom and their experience.  I salute authors everywhere who have slogged through the hard stuff and found success in the publishing world and I congratulate those who follow their writing dreams without the world's recognition.  
    Books enrich our lives, mirror our times, leave footprints in history and brighten the lives of millions and millions of readers.  
    So, what's your favourite "how-to" book?  Do you prefer books on the craft of writing or the philosophy of being a writer? Is there one missing from my library that I absolutely must have? :-)

Alice Valdal is the author of two historical romance novels, one contemporary romance novel and a collection of short Christmas stories.  She is a member of Vancouver Island Chapter of Romance Writer's of America and an avid collector of books on the art and science or writing.

Tuesday, May 10, 2011

The Dreaded "ly" word

by Alice Valdal

       No, I don't mean verily, verily, I'm rather fond of that archaic positive, I mean the dreaded adverb, that sneaky thief, that saps strength and power from our writing.  
      Strunk and White,  says to dress up words by adding ly, is like "putting a hat on a horse."  Alice Orr in No More Rejections, warns that adverbs tend to be "flabby and overwritten."   William Zinsser claims "most adverbs are unnecessary."  Others caution that adverbs used in excess burden the writing and slow the action.  Adverbs get in the way of "show don't tell" since most adverbs fall into the telling catagory. "Walked quickly" can be replaced with "strode" to conjure up a strong image.  "Said sadly," can be replaced with "moaned" or "sobbed."  I have a friend who determined to eliminate this pitfall in her writing and devised a template to highlight all her ly words in red.  When I offered up a page of my prose to her process, it came up looking like a bad case of the measles.  I decided not to build my own template.
     Since I have all these exhortations from experts and friends alike, why do  I still find adverbs sprinkled like weed seed throughout my manuscripts?  Am I really a "lazy writer" as Mark Twain proclaimed?   No, I say, defensively.  The adverb is a perfectly acceptable part of speech and merely suffers from bad press.
      Then I had a revelation.  I was listening to a television program with descriptive video for the visually impaired.  Adverbs, ridiculous, unnecessary, flabby and annoying dripped off the announcer's tongue.  While the screen showed a woman wringing her hands, the voice over said "a woman wrings her hands worriedly."  Doesn't hand wringing denote worry?  My ears perked up and I lost all track of the story line as I honed in on the descriptor.  "Menacingly pointed a gun."  Can one point a gun and NOT be a menace?  "Jauntily strode."  Doesn't stride imply a jauntiness?  "Suddenly veer." "Slightly ajar" "purse lips pensively."  The unnecessary modifiers piled up, formed a teetering pyramid, then crashed to the ground as I burst into giggles.
    Oh dear.  Please don't tell me that all my adverbs, designed to intensify feeling, clarify description and enliven setting, annoy the reader, then make her snicker at best or, at worst, toss the book away and tell all her friends not to buy it.
   I believe in this age when we all look for ways to enhance the superlative in our conversation this manner of speech has taken root in our brains and we're simply not aware of how pervasive and ridiculous the phrases are.  "Totally awesome."  Can one be awesome by halves?  "Purely innocent."  Duh!  Or the sports caster's favourite, "Give a hundred and ten percent."  Then there are those old standbys to fill in a pause, basically, usually, firstly. . .
  
  Ah!  The power of words.  They can sway a nation, bring down a tyrant, move the heart and quicken the mind.  Let us be mindful of this power and our responsibility to use it wisely.   To begin, I've started a list of the worst offenders in my own writing.  Here's a sample "Awesome power."  Hugely magnificent." (Ouch!) "eternally timeless." "Fierce scowl."  Go ahead and giggle.  I deserve it.  I'll try to eliminate these bombs from my prose, but if I ever find an excuse to use "verily, verily," it's in there!
    What about you?  What words are on your to-be-avoided list?  Any hints for how to weed them out?  Can anyone of you read a page of your own writing and find zero adverbs?

Alice Valdal