From Candlelit Cellar to Cosy Writers’ Studio

Hopefully you’ve been following my blogs on the Jonker wine estate, Weltevrede, meaning ‘well satisfied’. If you haven’t read them yet, go to:

http://internationalchristianfictionwriters.blogspot.com/2013/04/like-sweet-wine.html

http://internationalchristianfictionwriters.blogspot.com/2013/04/a-century-old-estate.html

The first intriguing thing my husband, son and I did on this hundred year old wine estate was wine-tasting by candlelight in an underground cellar. This was a first for me. Steyn Fullard, Marketing Manager of Weltevrede, was our host on this unusual experience. 

Wine tasting by candlelight in an underground cistern

Steyn led us to what looked like a warehouse where large wooden doors led us inside to the cement cisterns beneath the earth. It was dark, damp, and musty. And it was quiet. Candles lit our way as we walked through low-roofed, cemented corridors, moving from one cistern to the next. It felt like we were inside catacombs, as if we had stepped back in time.  

 

 

We were fascinated as Steyn explained the process of Methode Cap Classique aging (or making champagne for those who live in France). Bottles of sparkling wine were stacked inside the walls. Steyn pointed out a missing bottle. Philip, Weltevrede’s owner, likes to take one out randomly, just for fun, he told us. 

 

Steyn educating us on the making of sparkling wine

Spot the missing bottle

We walked deeper into the underground cellar, stopping at the last cement cistern. In the center of this candlelit room, no bigger than sixteen square meters (170 ft²), stood a large oak barrel. Beside wax covered bottles that served as candlestick holders, stood four glasses and two wines for our tasting—one a sparkling wine; the other a sweet dessert wine made from their oldest vineyard. It was the first time a winery host had joined us in a tasting, making this experience just that much more intimate and special. As we examined the golden liquid, smelled its bouquet and tasted its flavour, we were surprised to learn that tinier bubbles were indicative of a better Cap Classique sparkling wine.

Steyn shared some history about the room we were standing in, the first cement cistern to be cast decades before. He pointed out the square trapdoor in the low roof—large enough for a person to climb through—from where wine was pumped into and out of the tank. Every year the cisterns had been rubbed with beeswax which was then melted with a flame to fill any cracks. This prevented the wine from coming into contact with raw cement.

For two generations the underground tanks had been forgotten. Four layers of floor had covered the original openings before Philip Jonker and his father discovered them several years ago. We only saw a small portion of more than eight hundred square meters (8600 ft2) of underground cellar. I’d love to return for the full Indiana Jones experience.

Every conversation with Steyn has been fascinating, and as we chat in the candlelight, sipping the sweet dessert wine, we learn even more. He tells us vineyards last up to around twenty-five years, but the original vines planted by Philip’s great-grandfather in 1926—fourteen years after acquiring Weltevrede, and the first vineyards in the area—are still producing wine after more than eighty years. Isn’t it incredible to think that five generations of this wine-making family have tasted from the same vines we enjoyed? This particular vineyard had been declared a Conservation Worthy Property by the Board for National Monuments—the only vineyard in South Africa to receive this accolade. Philip’s great-grandfather and grandmother’s pictures form part of the labels’ design on Oupa se Wyn and Ouma se Wyn (Grandpa’s Wine and Grandma’s Wine).

After the cellar tour, we followed Steyn by car to the Jonker home where we met Philip, his wife, Lindelize, and their daughter, Marianna. They took us through their house to the other side where we climbed a flight of stairs that ran up the outside of an adjoining double-story building.

 

The building is ordinary, but the history and what’s inside, make it extraordinary.  Set in a lush garden between trees as old as the three thousand books inside, it had been built by Italian prisoners of war during World War II. The books in the Writers’ Studio, some of which are Africana, came into Philip and Lindelize’s possession when Philip’s grandmother died some years ago, and are freely available for writers’ research. It is amongst these aged pages, and the freedom of the farm roads between three hundred hectares of vineyards outside, where writers are invited and encouraged to find inspiration.

  

Chatting with Philip and Lindelize inside the Writers’ Studio

A little further away from the Jonker’s home, overlooking vineyards, lies Ons Huisie (Our Little House – see Weltevrede website for photo), Weltevrede’s Writer’s Cottage. This tiny thatched cottage is a place where writers can finish a manuscript in the tranquility of the surrounds. I will have to return some time as I didn’t get an opportunity to see this cute cottage for two. Maybe when polishing my novel set in the Cape winelands? I can edit, and hubby can go fishing in the Breede River.

Vineyards, cellar, writers’ studio, writer’s cottage—Weltevrede oozes a combined love for books and wine. Each generation of Jonkers have added to the uniqueness of this wine estate. Klaas Jonker, who purchased the farm in 1912, planted the first vineyards; Japie Jonker began wine farming in 1933;  Lourens Jonker, a visionary and leader with over fifty years’ experience took risks that have transformed the face of the South African wine industry; and now Philip Jonker, Weltevrede’s fourth generation award-winning winemaker . . . an extraordinary man of God whom I'm honored to know.

Hanging on a wall at Weltevrede, four generations of family portraits:

Klaas, Japie, Lourens, and Philip Jonker

Imagine, as writers, being able to pass on our knowledge, love and passion for words to future generations, as the Jonkers have done with their wines. I could think of nothing better.

http://www.weltevrede.com

Marion Ueckermann’s passion for writing was sparked in 2001 when she moved to Ireland with her husband and two sons. Since then she has published devotional articles in Winners (2009) and The One Year Book of Joy and Laughter (published August 2011 by Tyndale House Publishers). She blogs for International Christian FictionWriters and belongs to Christian Writers of South Africa and American Christian Fiction Writers. She now lives in Pretoria East, South Africa in an empty nest with her husband and their crazy black Scottie, Wally.

A Century Old Estate

I love starting work on a new novel, mostly because for me it’s an exciting journey with God. My latest novel has been no different.

For quite some time I’ve wanted to write a story set in the winelands of South Africa, but hadn’t given much thought to a story idea. Getting dressed for work one March morning this year, as per usual I mused my way through mascara and blush, thinking up story lines (and discarding them as fast as the next color applied to my face). This particular Tuesday morning, however, an idea stuck and I realized it had the potential for a great novel. Soon my story world emerged. The winelands, at last, would be perfect.

Weltevrede vineyards



As I had recently completed writing my Nano 2012 novel and am still in the editing phase, I didn’t feel up to beginning work on another manuscript. I decided, however, that I’d do Nano 2013 differently. Being a Pantser, I determined to use the time between March and November to be more of a Plotter on this story—eight months to plan, plot, research, do character sketches . . . whatever it is that Plotters do. When I told my sister the idea for my next Nano novel, her immediate response was: “I can’t wait so long for you to write that story. You have to write it now.”

 

I told her I’d think about it. By that evening I’d discovered Speedbo 2013—set your own writing target for the month of March. Suddenly I had the perfect excuse to begin work immediately on my winelands story. I, like my sister, couldn’t wait till November. By the end of March, I’d have 31,000 words written.

 

Three days later we visited my sister and her husband on their farm, ninety minutes from where we live. Her husband kept asking me when I was going to publish my books, that I couldn’t keep writing good stories and not doing anything with them. I tried to explain to him that it wasn’t so simple, that writing the book was the easy part. We were still chatting about my writing and my new novel, when suddenly he disappeared. Minutes later he returned with the Landbouweekblad magazine—the Afrikaans equivalent of Farmers Weekly—that had been published that same day. He opened to an article titled “Moving Diary of a Strike.” The piece was an emotive glimpse into the diary of wine farmer, Philip Jonker, and how, based on Christian principles and a belief in relationships, he tried to solve the problems of the farm laborer strikes that had led to great uncertainty and fear in the Western Cape in November last year.

 

I was so moved by his story, that I went to the Weltevrede website, got his email address and wrote to him. I admitted to not being quite finished reading the article because it was slow going for me as it was written in Afrikaans. Philip immediately wrote back and sent me his entire journal of this experience . . . in English. It was a fascinating read—a real David and Goliath story of this humble wine farmer’s unshakeable faith as, led by God’s Spirit, he walked into an angry, emotionally swept-up mob of more than five hundred armed with  pangas, machetes and clubs. He shook the leader’s hand and asked to speak to the people. He spoke hope and encouragement to the crowds that day and in the days to come.

 

Philip and Lindelize Jonker

 

That was when I decided I had to make a trip to Cape Town in May and spend a night in one of the cottages on Weltevrede. As I shared on my previous blog, this trip was brought forward a month. Unfortunately, being the Easter weekend and school holidays when we went down, their cottages were already booked. I determined not to return home before paying Weltevrede a visit. So my husband, son and I made a day trip to the Robertson valley. Not only did my visit to Weltevrede, meaning ‘Well Satisfied’, yield contact with Philip Jonker and his lovely wife, Lindelize, I also discovered two intriguing things on their wine estate.

 

 

You’ll have to wait till my next blog on Monday, 29th April though to read about what we discovered at this hundred year old wine estate.

 

If you’re interested in reading Philip’s journal of the farmworker strikes, please send a request with your email address in a comment below.

 

 

 

Marion Ueckermann’s passion for writing was sparked in 2001 when she moved to Ireland with her husband and two sons. Since then she has published devotional articles in Winners (2009) and The One Year Book of Joy and Laughter (published August 2011 by Tyndale House Publishers). She blogs for International Christian Fiction Writers and belongs to Christian Writers of South Africa and American Christian Fiction Writers. She now lives in Pretoria East, South Africa in an empty nest with her husband and their crazy black Scottie, Wally.



Like Sweet Wine

They stand on shelves like a good book

waiting to be opened,

waiting to be enjoyed,

waiting to tell their story . . .

  

 

Recently I had the opportunity to visit the fairest Cape. I was planning a trip down to this southernmost part of our country in May, but when my son needed the new car his wife had bought driven down from Pretoria where we live to his home in Cape Town, I jumped at the opportunity. So on Good Friday, my husband and I set off on the 1500 kilometer journey across South Africa. The original purpose for my visit was to do some research on the new novel I’m writing which is set in the winelands of Stellenbosch, not far from the mother city.

 

During the two days we spent visiting various wine farms on both the Stellenbosch and Robertson wine routes, it dawned on me how much of the writer is in the winemaker, and vice versa. The more I thought about it, the more I realized there is a lot in common between our finished products. 

 

On these wine estate visits, I studied the differing wine bottle labels—some were elegant, some fun, some ordinary, others extraordinary. It was like walking in a liquid library . . . many made me want to take them off the shelves and take them home. I was reminded that the cover of a book, both front and back, is a reader’s first impression. Often I’ve purchased a novel based purely on the cover. Likewise, many a time I’ve bought a bottle of wine just because I found it visually appealing. Often that decision is made because I know the wine made by a particular vintner is good. In the same way, many readers buy books based on the strength of the author alone, or a title catches their attention or the back cover blurb. These common elements found on wine bottles, pique the interest of the buyer too.

 

·         Book title / Name of wine

·         Author / Vigneron or Wine Estate

·         Cover artwork / Wine bottle label

·         Back cover blurb / Description of wine on bottle’s back label 

 

Considering these things, I wonder whether winemakers too struggle with names for their new creations. How many bottles do they need to taste before that back label reads just right and captures the essence of what’s inside? Is it difficult for them to reduce all those flavors to merely a few words? It’s certainly not easy for writers to come up with just the right title, or to condense a hundred thousand words into one to two hundred. 

 

Let’s journey together down the Robertsons wine route to Weltevrede, meaning ‘Well Satisfied’, where I’ll show you some examples of the similarities I’ve mentioned above. Our recent trip there was fascinating, but I’ll share more of that on my next two blogs.  

 

The names of the Weltevrede wines are intriguing; the entire bottled package reads like a book. You’ll see what I mean by the picture below.

 

 

 

The Ring

(Wine name / Book Title)

 

Philip Jonker

(Winemaker / Author)

 

Brut

(Type of wine / Genre)

 

Turn the bottle around and the top part of the label reads like a beautiful blurb at the back of a romance novel, the bottom much like a tasty elevator pitch to an acquisitions editor or publisher. It tempts me to buy, open, enjoy. I’ve felt that feeling before with a paperback between my fingers.

 

 

I met Lindelize while studying to become a winemaker.

My debut wine was a Cap Classique of which I popped the first cork

at my wedding with my barefoot bride under an old oak tree in the Karoo.

The Ring is a constant reminder of this bond of love. 

 

100% Chardonnay Blanc de Blancs style.

Ripe limey citrus, hints of honey and creamy lees characters are elegantly

woven together to create a complex, yet elegant style.

Two to three years on lees.

Delicate bubble, hearty expression of ripe lemons and honey.

 

 

All Weltevrede wines and Philip Jonker Cap Classique collections have their own short stories. I just have to share another, the one I like to think of as the sequel to The Ring, pictured blushing in the background of the above two photos. 

 

Lindelize

(Wine name / Book Title)

 

Philip Jonker

(Winemaker / Author)

 

Brut

(Type of wine / Genre)

 





  The colour - A gentle blush.

Like the flush when touched by a beautiful emotion,

the colour of delight, of someone in love. 

 

Light salmon coloured. Elegant, stylish and joyous.

         

Just as books are published in series, like Karen Kingsbury’s Baxters for example, wines too are bottled as collections. Weltevrede has their Terroir* Estate Wines Collection that reads—or should that be tastes?—like a book series.  

 

Places of Rocks Chardonnay

Rusted Soil Chardonnay

Travelling Stone Sauvignon Blanc

Bedrock Black – Syrah 

 

(* Terroir: the combination of factors, including soil, climate, and environment, that gives a wine its distinctive character.)

 

Like glorious genres, wines have different blends for different tastes. There’s the soft romance of the reds—Merlot, Cabernet Sauvignon—Victorian heroes and heroines that improve with age; the crisp contemporary whites—Chardonnay, Sauvignon Blanc—modern, every day; and the mystery and suspense of a Pinotage or Syrah—dangerous and dark. 

 

But wine is not only novel; it’s poetry too, and the Song of Songs truly reads like a beautiful blending of the senses. 

 

May your mouth be like the best wine.

May the wine go straight to my beloved, flowing gently over lips and teeth.

Let him kiss me with the kisses of his mouth—for your love is more delightful than wine.

 

 

Some time ago, I shared The Writer's Prayer by Sandy Tritt on ICFW. I love the way she begins this prayer: “Open my mind, Lord. Grant me the talent to write with clarity and style, so my words go down rich and smooth, like fine wine, and leave my reader thirsty for more.”

 

As winemakers blend flavors until the taste is just right, writers combine words to leave a sweet aftertaste long after the last page is turned.

 

Albert Finney, as Uncle Henry in the wine movie A Good Year, says: “. . . this sublime nectar is, quite simply, incapable of lying . . . all the planting, all the harvesting, all the fermenting—it's nothing more than the art of bottling truth. Pick too early, pick too late, it matters not—the wine will always whisper into your mouth with complete, unabashed honesty, every time you take a sip.” Isn’t a book much like that? It only takes a few pages for a book to whisper in your ear whether the writing is good or not, whether the words will go down like a fine wine. 

 

Some great connections between writers and winemakers, between words and wine:

• Language is wine upon the lips. (Virginia Woolf)
• Wine is bottled poetry. (Robert Louis Stevenson)
• Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine. (Samuel Butler)

On my next two blogs I’ll introduce you to Philip Jonker, the winemaker, the man; how I came to meet the Jonker family; and the interesting things I discovered on their 100 year old wine estate.

 

© 1999 Sandy Tritt. All rights reserved. www.InspirationForWriters.com

 

 

 

Marion Ueckermann’s passion for writing was sparked in 2001 when she moved to Ireland with her husband and two sons. Since then she has published devotional articles in Winners (2009) and The One Year Book of Joy and Laughter (published August 2011 by Tyndale House Publishers). She blogs for International Christian Fiction  Writers and belongs to Christian Writers of South Africa and American Christian Fiction Writers. She now lives in Pretoria East, South Africa in an empty nest with her husband and their crazy black Scottie, Wally.