Showing posts with label Dorothea Brande. Show all posts
Showing posts with label Dorothea Brande. Show all posts

Thursday, March 26, 2015

Keeping our own writing counsel

Last year, I began meeting with a younger author at her request, in order to help bring her dream of writing her first work of non-fiction to reality. Her eagerness to learn was obvious from the outset. Whenever I referred to a particular book about writing, she would note its name and want to borrow or buy it. Whenever I mentioned an online writers’ group she might like to join or a writer’s blog she might like to check out, that is what she did. And when I told her about a Christian writers’ conference here in Australia, she was among the first to book in.

My young friend is a delight. I know she respects me and listens to my suggestions. But, much more importantly, she has a deep love for the Lord and is passionate about wanting her own experiences in life to count for the Kingdom. Believing God wants her to write her book, she has worked hard at mapping it all out systematically in a way I have never done with any of my own and has now completed some of her early chapters. I am in awe of her enthusiastic and thorough approach to it all.

But there is another way in which our writing approaches differ. I have discovered my friend is quite happy to show these early chapters to her writing group and to others who are prepared to critique her work, in order to receive as much feedback as possible. As we talked about this, she explained she has always been a collaborative worker, willing to use the skills and gifts of others to get things done. So she is happy to take on board any comments and criticisms, even at this early stage. I, on the other hand, cringed when I heard what she was doing. I felt it could be a little confusing for her and perhaps even hamper her from developing her own writing style.

But then I began to question myself. I had never shown my work to others in those early stages at least. Was it merely my pride and my inability to receive criticism that had caused me to keep my work to myself until it was almost complete? Imagine my recent relief then, when, on reading Dorothea Brande’s book, Becoming A Writer, written way back in 1934, I came across the following in a section entitled ‘Keep your own counsel’:
When you have completed a fair first draft you can, if you like, offer it for criticism and advice; but to talk too early is a grave mistake.  (p 52, 1981 Tarcher/Penguin edition)
The author reasoned that, if we share our work with others while it is still taking shape, we have already received their responses and will be less motivated to complete all the developing and polishing our manuscript needs. Perhaps this then accounted, in part at least, for my reticence in sharing my own work too early and the shudder that ran through me when my friend told me how freely she was showing those early chapters to others.

How about you? Have you found it is good to show your manuscript to critique partners early on so you can fix any key problems? Or do you, like me, prefer to ‘keep your own counsel’ until that first draft is complete?

Jo-Anne Berthelsen lives in Sydney, Australia. She holds degrees in Arts and Theology and has worked as a high school teacher, editor and secretary, as well as in local church ministry. Jo-Anne is passionate about touching hearts and lives through both the written and spoken word. She is the author of six published novels and one non-fiction work, Soul Friend: the story of a shared spiritual journey. Jo-Anne is married to a retired minister and has three grown-up children and four grandchildren. For more information, please visit www.jo-anneberthelsen.com.


Monday, July 16, 2012

Vacation

  The whole world is not on vacation this month, at least half the world is in the middle of winter, but for the purposes of this blog, think summer. Where I live the sun in shining, the ocean is a lazy blue and the smell of fresh cut hay fills the air.  School's out, children are cycling and running on the street.  Neighbours chat over the back fence and shake their heads at the size of the mosquitoes. 
     It is summer time and that means a change in the rhythm of life.  Instead of grocery shopping, I go to my garden and collect the harvest -- and do some weeding and replanting.  Instead of waiting all day for my laundry to dry, I hang the clothes on the line and bring them in after only an hour or two.  Instead of making soup for lunch, I make a salad.  The days are long.  Instead of settling in with a book or needlework after supper, I may play golf or go for a swim, or make jam.  The day job may still be nine-to-five, but the summer pace is different.
    Now, here's my question.  What happens to my writing when I'm literally on vacation?  Sometime over the next two months, we'll be away from home, visiting new locations, connecting with old friends.  What happens to the writing routine in those times? 

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     Plenty of writing gurus proclaim that "to be a writer, you must write everyday."  Julia Cameron insists on "morning pages" every day.   I found the same advice in Becoming a Writer, by Dorothea Brande, copyright 1934.    This same book advocates that to write as a profession, we must be a writer in personality and temperament.  Until we have achieved the state of being a writer, Ms Brande contends, exercises and workshops on craft are a waste of time and money. 
   In her view, the true writer is a split personality, one part child, imaginative, temperamental, tender, undisciplined and creative.  The other part is like the older brother, focussed, determined, organized, tough, and protective.  She emphasises the need for the "artist" personality to have free rein to explore, dream and play.  It is the job of the "older brother" to keep track of royalities, check contracts, deal with rejection slips, set a timetable, send out queries -- all to protect the creative side from harm. 
    If her thesis holds true, I would suggest the older brother needs a vacation now and again.  Even big business knows that employees who have frequent breaks are more productive.
   So, if the "older brother" goes on vacation, what happens to the artist/child?  Should we free ourselves from the discipline of morning pages or daily word counts?  Can we spend time to explore, soak up new landscapes, listen to unfamiliar accents, see stories emerge from the waves on a sandy beach without the requirement to write it down? To use another of Julia Cameron's precepts, is a vacation from writing is just an extended artist's date?

   Or, having spent weeks and months training our unconscious to see and record and imagine, will a vacation put us back to square one, stemming the flow of the unconscious writer, pushing the creative side into inaccessible corners of the mind?
   So, dear readers, I ask you.  Do I take a pen and notebook on vacation, get up early and write morning pages, or do I dance on the beach and weave daydreams in the clouds?


Alice Valdal is usually a disciplined writer, but summer time does bring out the carefree child.  She counters this tendency by rising early but it's hard to stay at the computer when sunshine and birdsong fill the back deck.  Pen and paper or an alphasmart let her keep up the work side of writing while still enjoying the light.

visit her at www.alicevaldal.com