On New year's Eve I posted a conversation with one of my favorite mystery writers— Sally Wright— talking about her love of Scotland and how using international settings enhances her Ben Reese series.
(In case you were doing something more exciting on New Year's Eve than reading blogs you can catch up with the earlier post here http://j.mp/Nun5Js )
Today Sally is back, talking about Breeding Ground, the first book in her all new Jo Grant Mystery series.
So, Sally, after all those wonderful books following Ben Reese through Europe and various places in the States, you've begun a whole new series with your architect heroine, Jo Grant. How did Jo take root in your mind?
Sally: It was Thoroughbred country around Lexington, Kentucky that took root in my mind first and led me to Jo. I stayed in wonderful old farmhouse B&Bs when doing a book tour, and grilled the owners about the history of the houses, and local characters in the horse business too – and that got me started.
Jo came to me, in many ways, through parts of my own experience. I would’ve been an architect, like Jo, if I hadn’t been a writer. Architecture speaks to me wherever I go, sometimes with pleasure and awe (most times here in the States with horror and disgust). I took care of my mother, who lived next door to me, a little like Jo did hers, through ten years of dementia – not daily with my own hands, but working with the humblingly kind caregivers who did the day-to-day. She’d been my best friend (except for Joe), and I watched her fade away with a deep sense of sadness and loss, without really knowing how to communicate and make her feel loved. There’ve been other losses and stresses in my life (my own pancreatic cancer among them) that made me want to examine the emotional strains of caregiving and suffering on someone somewhat like me – conscientious, but selfish and impatient. Jo grew out of all that, and then became herself.
Like Jo too, I had horses for years (one who was a rescue, like Journey in the early Ben Reese books; the best one was Max, the one eyed horse in Watches Of The Night) and I still dream about them. I was thrown badly five years ago (by another horse, after Max died) and I can’t ride anymore, so giving Jo Sam helped me relive my years learning and working and having fun with Max.
Neighbors of ours too, in Ohio, had a broodmare business next to us just like Jo’s and moved it to Versailles, Kentucky, twenty years ago, and they took me around to famous farms there during our various visits and explained the business to me as I wrote Breeding Ground.
That broodmare business part of Jo’s life, and the other businesses in the book, allowed me to write about something that’s an important part of my world. My father was an orphan, raised in an orphanage, who got to college (in 1929) because a teacher helped him, then became a chemist who invented a product and started his own business with my Mother. It’s been a pivotal part of my life. And the conflicts that arise when choices have to be made between making good business decisions and catering to family feelings drives a lot of what happens in eighty percent of the businesses in the US. And I thought the time had come for me to analyze and explore that. Although BREEDING GROUND is set primarily in Lexington, Kentucky, in current times, events in wartime France play an important role. Were you able to visit those scenes for background research?
Sally: The WWII backstory in Breeding Ground takes place in the Loire Valley, where we saw gorgeous chateaux (Chenonceaux in particular, where Resistants were hidden and passed to safety), as well as the house where Leonardo Da Vinci died (which came as a surprise to me). We drove down through Burgundy – stopping in vineyards and enjoying the landscape – making our way south to Lyons simply so I could do research in the Resistance Museum.
It never occurred to me that it would be closed on a Tuesday. But it was – and we had to fly home the next day - illustrating only too clearly that I had committed one of the most avoidable mistakes made by rooky researchers. I took my revenge by using the "staff only" bathroom in the office wing next door.What's next for Jo? In BREEDING GROUND she had to put aside her dream of studying architecture in Europe to deal with more pressing matters (like murder). I'm hoping she might get across the pond soon.
Sally: My hope is that the next book will take place three years later in 1965. Jo will have traveled to see great architecture in Europe, married the obvious candidate from Breeding Ground, and had their first child.
The plot will have to do with the most terrifying experience Jo and her husband ever faced, which resulted from conflicts within the equine pharmaceutical company where her husband worked as a chemical engineer, stirring the pot (pardon the pun) and forcing change that threatened more than one.
Also in the second novel, another character from Breeding Ground (who’d been an OSS agent working with the underground in France during WWII) will go back to Tours to try to discover who’d set him up as a Nazi collaborator in 1944.
Still, it’s the choices the characters make - the way they harm, and heal, and take revenge, or find a way to forgive - that interests me most. Character can alter a whole community, even a culture that’s dependent on fragile, four-footed, athletes. And in Jo’s community – grooms and jockeys to aristocratic breeders – human nature, fallen and redeemed, has given me much to think about.
That’s wonderful, Sally. And there’s no question but that Breeding Ground delivers on all your goals. Here’s my review:
Sally Wright’s many fans know they can open one of her books assured of excellent writing, living, breathing characters, a fully developed background and an intricate plot. Breeding Ground never disappoints in any area.
Joe Grant is sure to become as popular with Wright’s readers as her perennial favorite Ben Reese. Jo is an architect who dreams of going to Europe to study historic buildings and give scope to her love of restoring heritage homes. The need to nurse her dying mother and then the untimely death of Jo’s beloved brother, however, have forced her to put her life on hold. And just when things are looking up for Jo her uncle suffers an accident with an obstreperous horse and Jo’s desires are once more forced aside as she must rescue the family business. And then a dear friend dies in suspicious circumstances.
Like the Ben Reese mysteries, Breeding Ground is set in the 1960’s and acts of valor and treachery in World War II still cast their long shadow over lives. Although firmly grounded in the rolling green horse pastures around Lexington, Kentucky, the reader also gets glimpses of wartime France.
This is a complex novel about horses and about family business but most importantly, it is about the choices people make. Every character, like every human being, is faced with choices in his or her life. Some choose healing and some don’t. That choice makes all the difference.
You can see more about Breeding Ground here: http://j.mp/1i2E81m
Visit Sally’s website here: http://www.sallywright.net/
Posted by Donna Fletcher Crow the author of The Monastery Murders: A Very Private Grave, A Darkly Hidden Truth and An Unholy Communion as well as the Lord Danvers series of Victorian true-crime novels and the literary suspense series The Elizabeth & Richard Mysteries.To read more about all of Donna’s books and see pictures from her garden and research trips go to: http://www.donnafletchercrow.com/ You can follow her on Facebook at:
http://ning.it/OHi0MY
Showing posts with label Ben Reese Mysteries. Show all posts
Showing posts with label Ben Reese Mysteries. Show all posts
Thursday, February 13, 2014
Tuesday, December 31, 2013
Sally Wright on Writing International Backgrounds
My guest today is Sally Wright, author of the superb Ben Reese Mysteries. Sally has just brought out Breeding Ground, the first book in her all-new Jo Grant series which I'll be posting about later,
but first I've asked Sally to share with our international audience some of her experiences developing the international backgrounds in the Ben Reese series.
Sally, we share a love for Scotland, which features in several of your Ben Reese novels. Where did your fascination for that wild, beautiful land start?
Sally: I've always gravitated to books about England and Scotland, which may be related to my mother's father being an Elliott, born in Jedburgh in The Borders in 1880, who came to America when he was eight. He didn't sound Scottish, or talk much about Scotland, but knowing him probably made me pay more attention when I read about Britain.
It was going to Scotland for the first time (I think in 1980) that pushed me over the brink. For it was then I got to know David Munro, a Ph.D. Geographer (and former Director of the Royal Scottish Geographical Society) who later drove me all over Scotland and Northumberland (and gave me great destinations when I drove myself) as I did research for the Ben Reese mysteries that chronicle the experiences of an archivist-ex-WWII-Scout. David knows even the most remote parts of Scotland like the back of his hand, and he has an encyclopedic grasp of history, so his most casual conversations gave me information and insights I wouldn't have gotten otherwise. And standing in the ruins of Dunnottar? How could you not be changed?
There may be a blood-borne infection at work too. With very few exceptions, I've felt a strange affinity for the Scots I've met. And when my husband (a Robertson and a Stewart on his mother's side, who was never told about his Scottish roots) stood on the Battlefield of Culloden and stared at the stones marking the spots where untold numbers of his ancestors died, Joe knew in his bones that he was a Scot for the first time in his life - and I knew I was too.
We also share a fascination with the Holy Isle of Lindisfarne. You feature Holy Island in PRIDE AND PREDATOR, the second of your Ben Reese novels as I do in A VERY PRIVATE GRAVE, the first on my Monastery Murders. What drew you to Holy Island? Can you share something special about your time there?
Sally: My love for Holy Island started when I saw a photo article on Lutyens' renovation of Lindisfarne Castle on Holy Island's eastern tip. Lutyens is an architect I've long admired, and what he did with the castle's interior made me want to live there.
Of infinitely more importance, of course, was the evangelizing mission of St. Aidan and the monastery he planted on Holy Island. Both profoundly influenced the Christian conversion of northern England, and the more I read about him and his followers, the more intrigued I became. And then - as I stood in the early morning mist with my back to the ruins of the Benedictine priory, the castle perched on what looked like a small volcano a mile off in front of me, sea birds patrolling the water's edge, sheep wandering the grassland -I suddenly imagined a man in three piece tweeds, walking away toward the castle. I immediately asked myself, "If someone were here all alone, how could I murder him?" The plot of Pride And Predator ended up being the answer.
You have set stories in England, Scotland, Italy and France. Do you have a favorite location either to write about or to visit?
Sally: Scotland is still my favorite place, with certain spots in England running a close second – Oxford (and the Cotswolds among them) where I researched parts of Pursuit And Persuasion while our daughter studied. I saw beautiful places in Tuscany, of course, when I was writing the Ben Reese novel, Watches Of The Night. I loved the art and architecture in Florence - but loved Siena more. I'm not a big city person. I like small villages and lovely towns, and countryside even better.
We stayed in an absolutely wonderful old farmstead turned now into a spectacular small hotel near Sinalunga called Laconda de L'Amorosa, where the ancient farm buildings captivated me (especially the chapel, and the old olive pressing barn where we stayed). The whole 60 hectares of grape vines and woods and wild boar and crumbling outbuildings amazed me, and gave me the final location and denouement of the plot.
I love Cumberland Island off the coast of Georgia, and Beaufort and Charleston, South Carolina, where I placed Out Of The Ruins.
And exploring the Loire Valley in France was a very interesting experience too, when I was working on the French Resistance and the US OSS because of a character in Breeding Ground. Studying the Resistance all across France had been overwhelming, and I'd had to narrow my focus to the Loire Valley. But I still felt distanced from French culture during the war. It was in a tiny B&B in an idyllic old mill southwest of Tours that God gave me the gift I needed to write the WWII backstory that's a part of Breeding Ground's plot.
The mill owner (totally unbeknownst to me when I made the reservation) had spent his life studying France in WWII. We talked for hours, and yet it was his telling me of an event that had happened in the village a mile or so from the mill during the Nazi occupation - and how the villagers reacted still in 2010 - that I put directly in the novel, for it gave me the perspective I needed to encapsulate that time.
I really enjoyed what I saw of France. But as much as I love Scotland and England? No. I suspect I'm a Scots-Anglophile by interest and genetics.
You can see more about Breeding Ground here: http://j.mp/1i2E81m
Visit Sally's website here: http://www.sallywright.net/
Posted by Donna Fletcher Crow the author of The Monastery Murders: A Very Private Grave, A Darkly Hidden Truth and An Unholy Communion as well as the Lord Danvers series of Victorian true-crime novels and the literary suspense series The Elizabeth & Richard Mysteries. To read more about all of Donna's books and see pictures from her garden and research trips go to: http://www.donnafletchercrow.com/ You can follow her on Facebook at: http://ning.it/OHi0MY
but first I've asked Sally to share with our international audience some of her experiences developing the international backgrounds in the Ben Reese series.
Sally, we share a love for Scotland, which features in several of your Ben Reese novels. Where did your fascination for that wild, beautiful land start?
Sally: I've always gravitated to books about England and Scotland, which may be related to my mother's father being an Elliott, born in Jedburgh in The Borders in 1880, who came to America when he was eight. He didn't sound Scottish, or talk much about Scotland, but knowing him probably made me pay more attention when I read about Britain.
It was going to Scotland for the first time (I think in 1980) that pushed me over the brink. For it was then I got to know David Munro, a Ph.D. Geographer (and former Director of the Royal Scottish Geographical Society) who later drove me all over Scotland and Northumberland (and gave me great destinations when I drove myself) as I did research for the Ben Reese mysteries that chronicle the experiences of an archivist-ex-WWII-Scout. David knows even the most remote parts of Scotland like the back of his hand, and he has an encyclopedic grasp of history, so his most casual conversations gave me information and insights I wouldn't have gotten otherwise. And standing in the ruins of Dunnottar? How could you not be changed?
There may be a blood-borne infection at work too. With very few exceptions, I've felt a strange affinity for the Scots I've met. And when my husband (a Robertson and a Stewart on his mother's side, who was never told about his Scottish roots) stood on the Battlefield of Culloden and stared at the stones marking the spots where untold numbers of his ancestors died, Joe knew in his bones that he was a Scot for the first time in his life - and I knew I was too.
We also share a fascination with the Holy Isle of Lindisfarne. You feature Holy Island in PRIDE AND PREDATOR, the second of your Ben Reese novels as I do in A VERY PRIVATE GRAVE, the first on my Monastery Murders. What drew you to Holy Island? Can you share something special about your time there?
Sally: My love for Holy Island started when I saw a photo article on Lutyens' renovation of Lindisfarne Castle on Holy Island's eastern tip. Lutyens is an architect I've long admired, and what he did with the castle's interior made me want to live there.
Of infinitely more importance, of course, was the evangelizing mission of St. Aidan and the monastery he planted on Holy Island. Both profoundly influenced the Christian conversion of northern England, and the more I read about him and his followers, the more intrigued I became. And then - as I stood in the early morning mist with my back to the ruins of the Benedictine priory, the castle perched on what looked like a small volcano a mile off in front of me, sea birds patrolling the water's edge, sheep wandering the grassland -I suddenly imagined a man in three piece tweeds, walking away toward the castle. I immediately asked myself, "If someone were here all alone, how could I murder him?" The plot of Pride And Predator ended up being the answer.
You have set stories in England, Scotland, Italy and France. Do you have a favorite location either to write about or to visit?
Sally: Scotland is still my favorite place, with certain spots in England running a close second – Oxford (and the Cotswolds among them) where I researched parts of Pursuit And Persuasion while our daughter studied. I saw beautiful places in Tuscany, of course, when I was writing the Ben Reese novel, Watches Of The Night. I loved the art and architecture in Florence - but loved Siena more. I'm not a big city person. I like small villages and lovely towns, and countryside even better.
I love Cumberland Island off the coast of Georgia, and Beaufort and Charleston, South Carolina, where I placed Out Of The Ruins.
And exploring the Loire Valley in France was a very interesting experience too, when I was working on the French Resistance and the US OSS because of a character in Breeding Ground. Studying the Resistance all across France had been overwhelming, and I'd had to narrow my focus to the Loire Valley. But I still felt distanced from French culture during the war. It was in a tiny B&B in an idyllic old mill southwest of Tours that God gave me the gift I needed to write the WWII backstory that's a part of Breeding Ground's plot.
The mill owner (totally unbeknownst to me when I made the reservation) had spent his life studying France in WWII. We talked for hours, and yet it was his telling me of an event that had happened in the village a mile or so from the mill during the Nazi occupation - and how the villagers reacted still in 2010 - that I put directly in the novel, for it gave me the perspective I needed to encapsulate that time.
I really enjoyed what I saw of France. But as much as I love Scotland and England? No. I suspect I'm a Scots-Anglophile by interest and genetics.
You can see more about Breeding Ground here: http://j.mp/1i2E81m
Visit Sally's website here: http://www.sallywright.net/
Posted by Donna Fletcher Crow the author of The Monastery Murders: A Very Private Grave, A Darkly Hidden Truth and An Unholy Communion as well as the Lord Danvers series of Victorian true-crime novels and the literary suspense series The Elizabeth & Richard Mysteries. To read more about all of Donna's books and see pictures from her garden and research trips go to: http://www.donnafletchercrow.com/ You can follow her on Facebook at: http://ning.it/OHi0MY
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